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Artificially Inspired: Week #14 Working at the Edges of the Tools

March 6, 2026
https://www.linkedin.com/embed/feed/update/urn:li:activity:7435701072960049152?compact=1
Side-by-side shots of a figure walking at sunset

In this week’s Artificially Inspired, our AI Architect Edson Ko takes us through one of the many challenges we encountered while creating The Green Man.

It Rarely Works Exactly as You Expect

Working with AI can be powerful, but it rarely works exactly as you expect. Often it’s about experimenting, pushing tools to their limits, and finding creative ways around the gaps.

In Edson’s own words:
“It’s a workaround. But that’s a lot of what AI filmmaking is right now. Finding creative solutions at the edges of what the tools can do.”

Watch the film above to see how we approached it.

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Head of Post Production shown in an AI-changed suit in the office
CURIOUS written in dust on the back of a van
DJ performing in front of AI-assisted visuals on an LED screen
Side-by-side shots of a figure walking at sunset
An editor working at monitors in the Plastic Pictures edit suite
A figure in a green morph suit inside an old television set
The Green Man title card with a figure in a green morph suit
A ComfyUI workflow generating a car image
A laptop showing an audio waveform beside a studio microphone on a stone plinth
The same scene generated by a recent AI image model
A camera lens, sketchbook, paintbrush and headphones arranged on a marble slab